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From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resis! tance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione
, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté
, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, o! r blackmail, or murder.
The Foreign Correspondent is t! he story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their h! earts’ passion to fight in the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione
, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting o! n the last campaign of the Spanish civil war. But as soon as h! e return s to Paris, he is pursued by the French Sûreté
, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.
The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.From Alan Furst, whom The New York Times cal! ls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of! the OVRA, Mussolini’s fascist secret police, and is meant t! o elimin ate the editor of Liberazione
, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté
, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.
The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.The first of Alfred Hitchcock's World War II features, Foreign Correspondent was completed in 1940, as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest. In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncover! s a spy ring, and, not entirely coincidentally, falls in love-! -a patte rn familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "good-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, albeit too briefly, for comic relief.
As good as the cast is, however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --S! am Sutherland For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focuses on murder, international intrigue, and an innocent Joel McCrea caught between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrellas, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel 1940s photo An intimate pose of Quentin Reynolds, Colliers special foreign correspondent, who appears in a full length documentary film, "One day in Soviet Russia", now in its se! cond week at the new Stanley Theatre . Photograph shows Quenti! n Reynol ds, half-length portrait, facing right, seated at desk with typewriter.
