Friday, November 11, 2011

Food, Inc.

  • In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. Our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farm
Food, Inc. lifts the veil on our nation's food industry, exposing how our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the
livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising and often shocking truths about what we eat, how it's produced and who we have become as a nation.

Q&A with Producer/Director Robert Kenner, Co-Producer/Fo! od Expert Eric Schlosser, Food Expert Michael Pollan and Producer Elise Pearlstein

How did this film initially come about?
Kenner: Eric Schlosser and I had been wanting to do a documentary version of his book, Fast Food Nation.  And, for one reason or another, it didn't happen. By the time Food, Inc. started to come together, we began talking and realized that all food has become like fast food, and all food is being created in the same manner as fast food.

How has fast food changed the food we buy at the supermarket?
Schlosser: The enormous buying power of the fast food industry helped to transform the entire food production system of the United States.  So even when you purchase food at the supermarket, you’re likely to be getting products that came from factories, feedlots and suppliers that emerged to serve the fast food chains.

How many years did it take to do this film and what wer! e the ch allenges?
Kenner: From when Eric and I began talking, about 6 or 7 years.  The film itself about 2 ½ years.  It has taken a lot longer than we expected because we were denied access to so many places.

Pearlstein: When Robby brought me into the project, he was adamant about wanting to hear all sides of the story, but it was nearly impossible to gain access onto industrial farms and into large food corporations.  They just would not let us in.  It felt like it would have been easier to penetrate the Pentagon than to get into a company that makes breakfast cereal.  The legal challenges on this film were also unique.  We found it necessary to consult with a first amendment lawyer throughout the entire filming process.

Who or what influenced your film?
Kenner: This film was really influenced by Eric Schlosser and Fast Food Nation, but then as we were progressing ! and had actually gotten funding, it became very influenced as well by Michael Pollan and his book Omnivore’s Dilemma. 

And then, as we went out into the world, we became really incredibly influenced by a lot of the farmers we met.

What was the most surprising thing you learned?
Kenner: As we set out to find out how our food was made, I think the thing that really became most shocking is when we were talking to a woman, Barbara Kowalcyk, who had lost her son to eating a hamburger with E. coli, and she’s now dedicated her life to trying to make the food system safer. It’s the only way she can recover from the loss of her child. But when I asked her what she eats, she told me she couldn't tell me because she would be sued if she answered.

Or we see Carol possibly losing her chicken farm … or we see Moe, a seed cleaner who’s just being sued for amounts that there’s no way he can pay, even thoug! h he’s not guilty of anything.  Then we realized there’s ! somethin g going on out there that supersedes foods. Our rights are being denied in ways that I had never imagined. And it was scary and shocking. And that was my biggest surprise.

So, what does our current industrialized food system say about our values as a nation?
Pollan:
It says we value cheap, fast and easy when it comes to food like so many other things, and we have lost any connection to where our food comes from.

Kenner: I met a cattle rancher and he said, you know, we used to be scared of the Soviet Union or we used to think we were so much better than the Soviet Union because we had many places to buy things.  And we had many choices.  We thought if we were ever taken over, we’d be dominated where we’d have to buy one thing from one company, and how that’s not the American way.  And he said you look around now, and there’s like one or two companies dominating everything in the food world. We’ve become what ! we were always terrified of.

And that just always haunted me â€" how could this happen in America?  It seems very un-American that we would be so dominated, and then so intimidated by the companies that are dominating this marketplace.

How has the revolving door relationship between giant food companies and Washington affected the food industry?
Pearlstein:
We discovered that the food industry has managed to shape a lot of laws in their favor.  For example, massive factory farms are not considered real factories, so they are exempt from emissions standards that other factories face.  A surprising degree of regulation is voluntary, not mandatory, which ends up favoring the industry. 

What have been the consequences for the American consumer?
Kenner:
Most American consumers think that we are being protected.  But that is not the case.  Right now the USDA does not have the authority to shut down a plant ! that is producing contaminated meat.  The FDA and the USDA ha! ve had t heir inspectors cut back.  And it’s for these companies now to self-police, and what we’ve found is, when there’s a financial interest involved, these companies would rather make the money and be sued than correct it.  Self-policing has really just been a miserable failure.  And I think that's been really quite harmful to the American consumer and to the American worker. 

Pearlstein: The food industry has succeeded in keeping some very important information about their products hidden from consumers.  It’s outrageous that genetically modified foods don’t need to be labeled.  Today more than 70% of processed foods in the supermarket are genetically modified and we have absolutely no way of knowing.  Whatever your position, you should have the right to make informed choices, and we don’t.  Now the FDA is contemplating whether or not to label meat and milk from cloned cows.  It seems very basic that consumers should have the right t! o know if they’re eating a cloned steak.

Is it possible to feed a nation of millions without this kind of industrialized processing?
Pollan:
Yes.  There are alternative ways of producing food that could improve Americans’ health.  Quality matters as much as quantity and yield is not the measure of a healthy food system.  Quantity improves a population’s health up to a point; after that, quality and diversity matters more.  And it’s wrong to assume that the industrialized food system is feeding everyone well or keeping the population healthy.  It’s failing on both counts.

There is a section of the film that reveals how illegal immigrants are the faceless workers that help to bring food to our tables.  Can you give us a profile of the average worker?
Schlosser:
The typical farm worker is a young, Latino male who does not speak English and earns about $10,000 a year.  The typical meatpacking worker ha! s a similar background but earns about twice that amount.  A ! very lar ge proportion of the nation’s farm workers and meatpackers are illegal immigrants.

Why are there so many Spanish-speaking workers?
Kenner:
The same thing that created obesity in this country, which is large productions of cheap corn, has put farmers out of work in foreign countries, whether it’s Mexico, Latin America or around the world.  And those farmers can no longer grow food and compete with the U.S.’ subsidized food.  So a lot of these farmers needed jobs and ended up coming into this country to work in our food production.

And they have been here for a number of years.  But what’s happened is that we’ve decided that it’s no longer in the best interests of this country to have them here.  But yet, these companies still need these people and they’re desperate, so they work out deals where they can have a few people arrested at a certain time so it doesn’t affect production. But it affects people’s lives.  And ! these people are being deported, put in jail and sent away, but yet, the companies can go on and it really doesn’t affect their assembly line.  And what happens is that they are replaced by other, desperate immigrant groups.

Could the American food industry exist without illegal immigrants?
Schlosser:
The food industry would not only survive, but it would have a much more stable workforce.  We would have much less rural poverty.  And the annual food bill of the typical American family would barely increase.  Doubling the hourly wage of every farm worker in this country might add $50 at most to a family’s annual food bill.

What are scientists doing to our food and is it about helping food companies’ bottom line or about feeding a growing population?
Schlosser:
Some scientists are trying to produce foods that are healthier, easier to grow, and better for the environment.  But most of the food scientists ar! e trying to create things that will taste good and can be made! cheaply without any regard to their social or environmental consequences.

I am not opposed to food science.  What matters is how that science is used … and for whose benefit.

Can a person eat a healthy diet from things they buy in the supermarket if they are not buying organic? If so, how?
Pollan:
Yes, the supermarkets still carry real food.  The key is to shop the perimeter of the store and stay out of the middle where most of the processed food lurks.

How are low-income families impacted at the supermarket?
Kenner:
Things are really stacked against low-income families in this country.  There is a definite desire of the food companies to sell more product to these people because they have less time, they’re working really hard and they have fewer hours in their day to cook.  And the fast food is very reasonably priced.  Coke is selling for less than water.  So when these things are happening, it’s easi! er for low-income families sometimes to just go in and have a quick meal if they don’t get home until 10 o’clock at night.  At the moment, our food is unfairly priced towards bad food.

And, in the same way that tobacco companies went after low-income people because they were heavy users, food companies are going after low-income people because they can market to them, they can make it look very appealing.

What can low-income families do to eat healthier?
Schlosser:
As much as possible, they can avoid cheap, processed foods and fast foods.  It’s possible to eat well and inexpensively.  But it takes more time and effort to do so, and that’s not easy when you’re working two jobs and trying to just to keep your head above water.  The sad thing is that these cheap foods are ultimately much more expensive when you factor in the costs of all the health problems that come later.

Pollan: It’s possible to ! eat healthy food on a budget but it takes a greater investment! of time .  If you are willing to cook and plan ahead, you can eat local, sustainable food on a budget.

If someone wanted to get involved and help change the system, what would you suggest they do?
Pearlstein:
I hope people will want to be more engaged in the process of eating and shopping for food.  We have learned that there are a lot of different fronts to fight on this one, and people can see what most resonates with them.  Maybe it’s really just “voting with their forks” â€" eating less meat, buying different food, buying from companies they feel good about, going to farmers markets.

People can try to find a CSA â€" community supported agriculture â€" where you buy a share in a farm and get local food all year.  That really helps support farmers and you get fresh, seasonal food.  On the local political level, people can work on food access issues, like getting more markets into low income communities, getting better lunch program! s in schools, trying to get sodas out of schools.  And on a national level, we’ve learned that reforming the Farm Bill would have a huge influence on our food system. It requires some education, but it is something we should care about.

What do you hope people take away from this film?
Schlosser:
I hope it opens their eyes.

Kenner: That things can change in this country. It changed against the big tobacco companies.  We have to influence the government and readjust these scales back into the interests of the consumer.  We did it before, and we can do it again.

Pollan: A deeper knowledge of where their food comes from and a sense of outrage over how their food is being produced and a sense of hope and possibility of the alternatives springing up around the country.  Food, Inc. is the most important and powerful film about our food system in a generation.

For most Americans, the ! ideal meal is fast, cheap, and tasty. Food, Inc. examin! es the c osts of putting value and convenience over nutrition and environmental impact. Director Robert Kenner explores the subject from all angles, talking to authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for more rigorous standards since E. coli claimed the life of her two-year-old son. The filmmaker takes his camera into slaughterhouses and factory farms where chickens grow too fast to walk properly, cows eat feed pumped with toxic chemicals, and illegal immigrants risk life and limb to bring these products to market at an affordable cost. If eco-docs tends to preach to the converted, Kenner presents his findings in such an engaging fashion that Food, Inc. may well reach the very viewers who could benefit from it the most: harried workers who don't have the time or income to read every book and eat ! non-genetically modified produce every day. Though he covers some of the same ground as Super-Size Me and King Corn, Food Inc. presents a broader picture of the problem, and if Kenner takes an understandably tough stance on particular politicians and corporations, he's just as quick to praise those who are trying to be responsible--even Wal-Mart, which now carries organic products. That development may have more to do with economics than empathy, but the consumer still benefits, and every little bit counts. --Kathleen C. Fennessy

American Cannibal - The Documentary

Horton Hears A Who!

  • ISBN13: 9780394800783
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Features include:

•MPAA Rating: G
•Format: DVD
•Runtime: 174 minutes
Dr. Seuss's classic 1954 book Horton Hears a Who has entertained generations of children and served as the inspiration for a 26-minute, 1970 television special Dr. Seuss's Horton Hears a Who and the 2000 Broadway musical Seussical: The Musical. This 2008, full-length animated movie features the voice talents of Jim Carrey as Horton, Steve Carrell as the Mayor of Whoville, Carol Burnett as the Kangaroo, and Jesse McCartney as JoJo and promises to delight a whole new generation of children and their parents and grandparents. The technological wonders of computer animation ! have allowed 20th Century Fox Animation to bring to life the wacky, colorful Whoville with its minute inhabitants and the lush Jungle of Nool with its host of distinctive animals and the result is a rich, fantastical world of wonder worthy of Dr. Seuss' own imagination. All the major plot elements of Dr. Seuss' book are present, with Horton hearing the faint cry for help from a tiny dust speck atop a small clover and doing his best to protect the inhabitants of that small civilization of Whoville despite the disbelief, disdain, and persecution of his fellow animals. The feel of Dr. Seuss' original rhyming prose is partially preserved in the sparse narration by Charles Osgood that's interspersed throughout the film's dialogue and the overarching themes of staying true to one's convictions and the celebration of the power of perseverance, imagination, and kindness come through loud and clear. Horton Hears a Who is a fun rendering of a classic Dr. Seuss story that's sur! e to entertain viewers of all ages. --Tami Horiuchi

Beyond Horton Hears a Who ! on DVD


Nim’s Island on DVD

Alvin and the Chipmunks on DVD

Mr. Magorium’s Wonder Emporium on DVD



Stills from Horton Hears a Who! (Click for larger image)












Horton, the lovable elephant, tries to protect tiny creatures on a speck of dust. An easy reader with delightful verse and pictures.  Surely among the most lovable of all Dr. Seuss creations, Horton the Elephant represents kindness, trustworthiness, and perseverance--all wrapped up, thank goodness, in a comical and even absurd package. Horton hears a cry for help from a speck of dust, and spends much of the book trying to protect the infinitesimal creatures who live on it from the derision and trickery of other animals, who think their elephant friend has gone quite nutty. But worse is in store: an eagle carries away the clover in which Horton has placed the life-bearing speck, and "let that small clover drop somewhere inside / of a great patch of clovers a hundred miles wide!" Horton wins in the end, after persuading the "Who's" to make as much noise as possible and prove their existence. This classic is not only fun, but a great way to intr! oduce thoughtful children to essentially philosophical questions. How, after all, are we so sure there aren't invisible civilizations floating by on every mote? (Ages 4 to 8) --Richard Farr

Alien Anthology [Blu-ray]

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DANNY DECKCHAIR ORIGINAL MOVIE POSTER

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DANNY DECKCHAIR - DVD MovieIn the laugh-filled tradition of THE FULL MONTY, THE CASTLE is a hilarious comedy treat critics hailed as one of the year's funniest movies! Even though there's an airport practically running through their backyard, the eccentric Kerrigan clan loves their humble home. But when the airfield needs room to expand, the government says that the Kerrigans have to go! With an irresistable charm and irrepressible humor everyone is sure to enjoy, the hilarity then really takes flight when this funny family decides to stay and fight for their beloved "castle" ... no matter how far the conflict goes!The title of The Castle refers to a ramshackle suburban tract house so close t! o an airport that planes fly mere yards above the roof. Worse than that, it's built on a toxic landfill and right beside humming high-power lines. But to patriarch Darryl Kerrigan (Michael Caton) and his dim-witted but cheerful brood it's home. Darryl has devoted himself to constantly improving it with modifications like a false chimney that, as he brags to a man sent to estimate the value of the property, makes the house look more picturesque. When the owners of the airport serve Darryl notice that his home is being compulsorily purchased, Darryl hires a small-time lawyer and pursues his case all the way to the Australian Supreme Court. This Australian box-office smash wasn't as successful as The Full Monty in American theaters, but it has something of the same buoyant spirit. The Castle actually plays better on the small screen; its relationship with its characters is much like the farcical intimacy of classic British sitcoms like Fawlty Towers, in wh! ich crazed behavior is balanced by the genuine warmth of the w! hole cas t. Caton in particular is a sweet, engaging presence; Darryl Kerrigan is a fool, but a fool with dignity, and he carries you through the movie. --Bret FetzerFrom the biggest festival to the smallest church social kenny smyth delivers porta-potties to them all. A true unsung hero kenny is a knight in shining overalls doing one of societys dirtiest jobs. This engaging mockumentary lifts the lid on australias roughest diamond as he juggles family & sewage. Studio: Lions Gate Home Ent. Release Date: 09/30/2008 Starring: Shane Jacobson Ronald Jacobson Run time: 93 minutes Rating: Pg13 Director: Clayton JacobsonPRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Movi! estore we will gladly refund your money.

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Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading.BREAD & ROSES - DVD Movie
Newbery-author Katherine Paterson's tale of the 1912 mill workers' strike -- in pape! rback!

Rosa’s mother is singing again—union songs. She’s joined the strike against the corrupt mill owners. Rosa is terrified. What if Mamma is jailed or, worse, killed?

Jake’s dad threatened to kill him if he joined the strike. For Jake, that is reason enough to do so.

Then Rosa, Jake, and the other children living in the middle of the strike are offered a very special opportunity: To live in Vermont until the strike is over. For Rosa, being away from her family is worse than seeing them in harm’s way. For Jake, it’s a chance to start over. For both of them, it’s a time of growing up.

The new baking masterwork from the author of The Cake Bible and The Pie and Pastry Bible.

The Bread Bible gives bread bakers 150 of the meticulous, foolproof recipes that are Rose Levy Beranbaum's trademark. Her knowledge of the chemistry of baking, the accessibility of her recipes, and the incomparable taste of h! er creations make this book invaluable for home cooks and prof! essional bakers alike.

"Understanding" and "Pointers for Success" sections explain in simple, readable language the importance of various techniques and ingredients demonstrated in a recipe, providing a complete education in the art of baking, with thorough sections on types of flour, equipment, and other essentials. Easy-to-use ingredient tables provide both volume and weight, for surefire recipes that work perfectly every time.

Recipes include bread made with yeast starters, quick breads, flatbreads, brioche, and much more. From ciabatta, semolina, rye, and sourdough breads to bagels, biscuits, crumpets, and pizza dough, The Bread Bible covers all the baking bases. 225 line drawings and 32 pages of color illustrationsRose Levy Beranbaum's The Cake Bible introduced readers to a newly illuminating baking-book approach--a precisely detailed yet accessible recipe format emphasizing baking science. The Bread Bible follows the same pl! an, offering 150 recipes, arranged by type, for a great variety of baked goods--from muffins, popovers, and English muffins to sandwich loaves, focaccia, rolls, hearth breads, rye bread, challah, and more, with a particularly vivid (and passionate) stop at sourdough loaves. Instruction is abetted by 32 pages of photos plus 300 step-by-step illustrations that depict, for example, bagel forming, in exact, imitable detail. In addition, an introductory section, "The Ten Essential Steps of Making Bread," includes a particularly lucid discussion on the way yeast works plus an invaluable comparison of kneading methods. Like the book's final look at ingredients, these "mini-texts" provide information uncommon to most home bread books, rendered in simple language that allays fears of putting one's hand in the dough.

All this is impressive indeed, and readers bitten by the bread-baking bug will welcome the ultra-thorough Beranbaum approach. The less committed may find her tech! nical demands too painstaking (her baguette recipe requires tw! o starte rs, for example; though simpler loaves are, of course, offered) or even impractical (ingredient quantities using grams are sometimes given in minute fractions, requiring a special scale). The frequent inclusion of alternate mixing methods and equipment options can also make the formulas unwieldy. On the other hand, features like Pointers for Success and Understanding often yield exciting discovery as well as rewarding results. In short, this Beranbaum bible answers virtually every bread-making question, as well as providing exemplary formulas. It's the real deal for those willing to bake along with Rose. --Arthur Boehm Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral hist! ories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading. Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses! is indispensable reading.Judy Collins / Bread & Roses / E! lektra 7 E-1076 / Side One: Bread and Roses, Everything Must Change, Special Delivery, Out of Control, Plegaria A Un Labrador, Come Down In Time / Side Two: Spanish Is The Loving Tongue, I Didn't Know About You, Take This Longing, Love Hurts, Marjorie, and King DavidWALKOUT - DVD MovieIn an era when so many movies about inner-city youth focus on gangs, drugs, and violence, Walkout deserves props for its sincere depiction of the peaceful efforts of Chicano students to effect positive change in the Los Angeles school system. The year is 1968, a time of profound social upheaval, what with the assassinations of Martin Luther King and Robert Kennedy, the escalation of the Vietnam War, the chaotic scene in Chicago during the Democratic Convention, and so on. In East L.A., a young schoolteacher (Michael Pena) tries to instill pride in his students, reminding them of Chicano contributions to the Civil War and 'Nam and taking them on a tour of the west side, where they see how the othe! r (i.e., whiter) side lives. Laura Crisostomo (Alexa Vega from the Spy Kids series), a good girl and ace student, soon finds herself caught up in the movement to improve conditions at local high schools--much to the chagrin of her dad (Yancey Arias), a strict Filipino immigrant mistrustful of "agitators" (this father-daughter dynamic, while not the film's only cliché, is perhaps its most obvious). Said conditions are not, in fact, all that horrendous; there's nothing good about corporal punishment (students are "swatted" for speaking Spanish during an English lit class), of course, but the lack of Mexican food in the cafeteria and the fact that school bathrooms are closed during lunch are hardly issues of earth-shattering importance. The students persist nonetheless, leading to mass boycotts (the titular "walkouts"), the predictable over-reaction by police and other authorities, and, eventually, some tangible results. All of this is presented by director Edward Jame! s Olmos (who also has a small onscreen role) and three screenw! riters i n the kind of earnest, inspiring style of a TV movie of the week (the film originally aired on HBO in 2006). But while Walkout is hardly what you'd call "edgy," its efforts to refute stereotypes and promote Mexican-American cultural awareness are nothing if not admirable. Bonus features include three audio commentary tracks, with participation by Olmos, the writers, and executive producer Moctesuma Esparza, who was part of the student movement (and is portrayed in the film). --Sam Graham

Hometown Legend

  • ISBN13: 9780446679268
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HOMETOWN LEGEND - DVD MovieJERRY B. JENKINS PRESENTS THIS INSPIRATIONAL, STAND-UP-ON-THE-BLEACHERS AND CHEER STORY OF A LOSING HIGHSCHOOL FOOTBALL TEAM THAT GIVES A TOWN THAT HAD LOST FAITHSOMETHING TO BELIEVE IN.Athens City, Alabama, is a town that lost its heart the day the high school football team lost the state championship and suffered a tragedy. Since that night, the town that once enjoyed superstar status has fallen on hard times. Now, years later, the former coach returns to head up one final season aided by a local who tells the story with a fresh voice. Together, they fight Goliath and learn that love and reconciliation are more important than winning ever could be.The coauthor of the blockb! uster Left Behind series inks the appealing, happily-ever-after Hometown Legend, about a small town in severe financial straits and its former championship football team, written in a made-for-the-movies style that will earn author Jerry Jenkins some new fans. There are some likable characters in this yarn. Lonely widower Cal Sawyer is juggling several balls at once: raising his teenage daughter Rachel, helping coach the down-at-the-heels Athens City High football team, and trying to keep the American Leather Football Company from going belly up. He doesn't count on the impact Elvis Presley Jackson will have on the football season--and on his daughter. Bev Raschke, Sawyer's single, 40-something assistant, has her eye on him, but as Sawyer says, "She's got two cats, and that's about all I need to know about a woman." Romance is inevitable. As the novel unfolds, mostly told in Sawyer's rambling, Southern drawl, we see trouble brewing in his per! sonal life, on the football team, and with the unfolding of ! Elvis's past. But never fear--there's a happy ending in sight. No loose ends are left dangling, and there's a heartwarming, feel-good wrap-up with a bit of a spin that will satisfy Left Behind aficionados who enjoy a predestined finish to their leisure reading. --Cindy Crosby
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