Wednesday, January 11, 2012

Fighter

  • FIGHTER (DVD MOVIE)
Academy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable†” film. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. Joe Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky W! ard, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charlene (Amy Adams), a spitfire of a bartender who encourages him to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to aband! on the people who raised him, so he attempts to unite the vari! ous fact ions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyAcademy Award® Nominees Mark Wahlberg (The Departed), Christian Bale (The Dark Knight) and Amy Adams (Doubt) star in this “remarkable” film*. Based on a true story, two brothers, against all the odds, come together to train for a historic title bout that has the power to reunite their fractured family and give their hard-luck town what it's been waiting for: pride. Micky Ward (Wahlberg) is a struggling boxer long overshadowed by his older brother and trainer, Dicky (Bale), a local legend battling his own demons. Their explosive relationship threatens to take them both down - but the bond of blood may be their only chance for redemption. *Joe! Morgenstern, THE WALL STREET JOURNAL It would be a mistake to confuse The Fighter with the story of Mark Wahlberg, though the similarities are striking. Completely convincing as a boxer, Wahlberg plays welterweight Micky Ward, who grew up in working-class Massachusetts. Like the actor-producer, he had eight siblings, one more famous than the rest. Ward's half-brother, Dicky Eklund (a gaunt, crazy-eyed Christian Bale), turned to boxing first, just as Mark's brother, Donnie, preceded him as a performer (first by singing, then by acting). The similarities end there: Dicky, once known as "The Pride of Lowell," traded his promising pugilistic career for a crack pipe (Sugar Ray Leonard cameos as his best-known opponent). As David O. Russell's film begins, the smothering Alice (Frozen River's Melissa Leo) manages Micky's career, while the unpredictable Dicky attempts to train him. Despite his talent in the ring, though, Micky can't catch a break until he meets Charl! ene (Amy Adams), a spitfire of a bartender who encourages him ! to stand up for himself. When Dicky ends up in prison, and Micky takes on a more experienced manager, his fortunes start to improve, but it isn't in his nature to abandon the people who raised him, so he attempts to unite the various factions in his life before his shot at the world championship slips away. Though Russell paints Micky's mother, brother, and sisters with a broad brush, Wahlberg anchors the scenario with his patient, level-headed performance. Rescue Me's Jack McGee also deserves notice as his diplomatic dad, George. --Kathleen C. FennessyThe female karate kid.

Newcomer Semra Turan delivers a star-making performance as Aicha, a Copenhagen high school senior who dreams of becoming a champion mixed martial arts fighter. But when her conservative Turkish parents demand she go to medical school, Aicha instead begins secretly training at the local academy of Sifu (Xian Gao of CROUCHING TIGER, HIDDEN DRAGON fame). In a brutal sport where men make the rul! es, can a strong-willed woman battle her way to respect? And in a world where cultures clash as hard as any combat, will she survive long enough to decide what s worth fighting for? Cyron Melville and Sadi Tekelioglu co-star in this explosive drama featuring stunning choreography by Xian Gao that goes far beyond the usual martial arts movie.
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Watching the Detectives

  • Actors: Cillian Murphy, Lucy Liu, Josh Pais, Mark Harelik, Heather Burns.
  • Format: Widescreen, NTSC.
  • Language: English.
  • Region: Region 1 (U.S. and Canada only).
  • Run Time: 94 minutes. Not Rated.
BREAKFAST ON PLUTO - DVD MovieBoth epic and intimate, Breakfast on Pluto uses the life of Patrick "Kitten" Braden (Cillian Murphy, Batman Begins), a queer orphan boy, to explore the hidden worlds that lie beneath so-called "normal" society--the subcultures of homosexuals, the Irish Republican Army, and prostitutes. At odds with his conservative Irish town, Patrick rebels with the fearlessness of someone whose life feels worthless. When he leaves for London, where he hopes to find his mother, he joins a touring rock band, is almost murdered, becomes assistant to a magician (Stephen Rea, The Crying Game), is arrested as an IRA terrorist, and joins a pee! p show--and those are only half of the markers on his odyssey (the movie struggles to encompass the novel by Patrick McCabe). Though the first half of the movie feel almost weightless in the headlong rush of events, a rich emotional heft sneaks up on you; by the end, Breakfast on Pluto has become almost unbearably sad and wonderfully buoyant. Murphy's superb performance is both delicate and willful, ably supported by an excellent cast, including Liam Neeson (Kinsey), Brendan Gleeson (Harry Potter and the Goblet of Fire), and Ian Hart (Backbeat), as well as rock stars Gavin Friday and Bryan Ferry (who has a particularly creepy cameo as a serial killer). --Bret Fetzer

Breakfast on Pluto, Patrick McCabe's lyrical and haunting new novel, became a #1 bestseller in Ireland, stayed on the bestseller list for months, and was nominated for the Booker Prize, one of the world's most prestigious literary awards. With wonderful delicacy and s! ubtle insight and intimation, McCabe creates Mr. Patrick "Puss! y" Brade n, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combi! nes light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.

Patrick McCabe hit pay dirt with his third novel, The Butcher Boy, which was short-listed for the 1992 Booker Prize, filmed by Neil Jordan, and acclaimed as "a masterpiece of literary ventriloquism." In his fifth, Breakfast on Pluto, also on the Booker shortlist, McCabe produces another inimitable voice to amuse and infuriate, mimicking perfectly the overwrought, near-hysterical style of a character whose emotional processes were cruelly halted somewhere around the age of 14, and whose tale requires English literature's highest concentration of exclamation marks.

Patrick "Pussy" Brady is recording her memoirs for the mysterious Dr. Terence, and it's quite some story. After randy Father Bernard gets carried away with his temporary housekeeper, a dead ringer fo! r Mitzi Gaynor, the result is Patrick Braden, abandoned on a ! doorstep in a Rinso box and condemned to a foster home with the alcoholic Hairy Braden. Escape comes in fantasies of Vic Damone and the occasional glitzy frock, and eventually, inevitably, the rebaptised "Pussy" heads for life as a transvestite rent boy on Piccadilly's Meat Rack. But this is not just Pussy's story; as hitherto-muffled paramilitary violence blows up in her face, Pussy falls apart, providing a vivid and unsettling final comment on the human price paid in 1970s Ireland. --Alan StewartWidescreen DVD

Conceived in a moment of mad passion by a randy Irish priest and his temporary housekeeper -- and abandoned on a doorstep in a Rinso box as an infant -- her ladyship "Pussy" (né Patrick) Braden grew up fabulous and escaped tiny Tyreelin, Ireland, to start life anew in London. In blousy tops and satin miniskirts she plies her trade as a transvestite rent boy on Picadilly's Meat Rack, risking life and limb among the city's flotsam and jetsam. But it is the 197! 0s, and fear haunts the streets of London and Belfast -- and as radioactive history approaches critical mass, the coming explosion of violence and tragedy may well blow Pussy's fragile soul asunder.

Breakfast on Pluto follows the exploits of Patrick "Kitten" Braden, an endearing but deceptively tough young man. Abandoned as a baby in his small Irish hometown, and aware from a very early age that he is different, Patrick survives a harsh environment with the aid of his wit and charm, plus a sweet refusal to let anyone or anything change who he is. Apart from a few moments of piano music composed by Jordan's daughter, Anna Jordan, the film avoids a conventional score.Neil (Cillian Murphy) works in a vintage video store and wishes his life could be as exciting as the movies he watches night and day. Enter Violet (Lucy Liu), a real-life femme fatale who brings enough adventure into Neil's world to make him think he has suddenly stepped into one of his favorite movies. Being ! with Violet might just turn out to be a lot of fun - if he liv! es throu gh it.
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The City of Ember (Books of Ember)

  • ISBN13: 9780385736282
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
NOW A MAJOR motion picture starring Bill Murray, Tim Robbins, Martin Landau, Saoirse Ronan, and Harry Treadaway! This tie-in edition of The City of Ember features a movie-art cover and an 8-page photo insert. Jeanne DuPrau’s instant classic tells the story of the great, underground city of Ember, designed as a last refuge for the human race. But when the storerooms run out of food and the lights begin to fail, it’s up to two teens, Lina and Doon, to decipher the fragments of an ancient parchment and find a way out of Ember.It is always night in the city of Ember. But there is no moon, no stars. The only light during the regular twelve hours of "day" comes from floodlamps that cast a yellowis! h glow over the streets of the city. Beyond are the pitch-black Unknown Regions, which no one has ever explored because an understanding of fire and electricity has been lost, and with it the idea of a Moveable Light. "Besides," they tell each other, "there is nowhere but here" Among the many other things the people of Ember have forgotten is their past and a direction for their future. For 250 years they have lived pleasantly, because there has been plenty of everything in the vast storerooms. But now there are more and more empty shelves--and more and more times when the lights flicker and go out, leaving them in terrifying blackness for long minutes. What will happen when the generator finally fails?

Twelve-year-old Doon Harrow and Lina Mayfleet seem to be the only people who are worried. They have just been assigned their life jobs--Lina as a messenger, which leads her to knowledge of some unsettling secrets, and Doon as a Pipeworker, repairing the plumbing in th! e tunnels under the city where a river roars through the darkn! ess. But when Lina finds a very old paper with enigmatic "Instructions for Egress," they use the advantages of their jobs to begin to puzzle out the frightening and dangerous way to the city of light of which Lina has dreamed. As they set out on their mission, the haunting setting and breathless action of this stunning first novel will have teens clamoring for a sequel. (Ages 10 to 14) --Patty Campbell

City of Ember is now a major motion picture (releasing in October 2008) starring Bill Murray, Tim Robbins, Martin Landau, and many more. Enjoy these images from the film, and click the thumbnails to see a larger image in a new browser window.




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Five Minutes of Heaven

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Dogville

  • DVD Details: Actors: Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany
  • Directors: Lars von Trier
  • Format: Closed-captioned, Color, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: August 24, 2004; Run Time: 178 minutes
Recording star bjork is miraculous as selma a factory worker in ruarl america and single mother who is losing her eyesight from a hereditary disease. Determined to protect her 10-year-old son from the same fate selma is saving her money to get him an operation. Studio: New Line Home Video Release Date: 02/08/2005 Starring: Catherine Deneuve David Morse Run time: 141 minutes Rating: R Director: Lars Von TrierMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were tho! se who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?

Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark! is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will ju! stice prevail?

Von Trier's passionate, provocative film ru! ns all o ur emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruisi! ng on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?

Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance n! umbers she conjures to banish the nightmare (Björk also wrote! the sco re). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then resent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to th! e movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer

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Saturday, January 7, 2012

Assisted Living

  • "Assisted Living" chronicles a day in the life of Todd, a janitor who spends his days smoking pot and interacting with the residents for his own entertainment. Todd's detachment from his surroundings is compromised only by his unlikely friendship with Mrs. Pearlman, a resident who begins to confuse him with her son. On this particular day, Todd must choose whether or not to play the part. "Ass

The demand for residential communities for seniors rises as the U.S. population continues to age. This growth means that new administrators and staff members often are learning by trial and error the complicated task of delivering high-quality and consistent services to elderly persons. While many new facilities have been successful, others have been plagued by a variety of administrative and financial difficulties. Senior Living Communities remains the definitive guide to managing these faci! lities.

In this thoroughly updated and revised edition, Benjamin W. Pearce offers a wealth of sound advice and practical solutions. He discusses resident relations, operating methods, staffing ratios, department management, cost containment, sales and marketing strategies, techniques of financial analysis, budgeting, and human resources. New chapters address issues particular to dementia care and architecture, and the appendix contains a department-by-department audit of senior living operations.

From the front lines to the boardroom, this book should be a part of every decision-making process for improving and maintaining assisted living, congregate, and continuing care retirement communities.

Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!

Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly ! useful guide is meticulously organized to provide answers, dis! pel myth s, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.

With chapters on choosing the right placement setting, navigating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:

*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.

"Since there are few books available on this topic that are this comprehensive and well-organized, this book should be of value to anyone interested in the topic of assisted living facilities in the U.S." Score: 98, 5 stars

--Doody's

"This book is much needed. It offers a practical approach to key issues in the management of an assisted living facility It is especially pleasing to see the long needed collaboration between nursing, social ser! vices, and education that is reflected by the training of the authors. This book is an important milestone for the field of aging and assisted living administration."

Robert Newcomer, PhD,
Department of Social and Behavioral Sciences
University of California-San Francisco
(From the Foreword)

Assisted Living Administration and Management contains all the essentials for students new to the field, as well as nuanced information for professionals looking to fine-tune their skills. This comprehensive resource provides deeper insights to address the ever-changing world of the assisted living community, containing effective best practices and model programs in elder care. The authors provide the necessary tools and tips to maximize the overall health, safety, and comfort of residents.

This landmark reference, for assisted living and senior housing administrators as well as graduate students, contains the most practical guidel! ines for operating assisted living facilities. It offers advic! e on hir ing and training staff, architecture and space management, and more. This multidisciplinary book is conveniently organized to cover the most crucial aspects of management, including organization; human resources; business and finance; environment; and resident care.

Key Features:

  • Highlights the most effective practices and model programs in elder care that are currently used by facilities throughout the United States
  • Contains useful details on business and financial management, including guidelines for marketing, legal issues and terms, and public policy issues
  • Includes chapters on environmental management, with information on accessibility, physical plant maintenance, and disaster preparedness
  • Emphasizes the importance of holistic, resident care management, by examining the biological, psychological, and social aspects of aging
  • Enables students to evaluate, analyze, and synthesize information on how to operate assisted li! ving facilities

Assisted living is the fastest-growing alternative to skilled nursing care for frail older persons in the United States. The expectations, settings, and missions of these residences are varied, making it difficult for prospective residents and their families to anticipate what it would be like to live in them. This book is a unique portal into the real world of assisted living and the key issues facing consumers, providers, and policy makers.

Drawing on in-depth interviews with residents, their family members, staffers, and administrators, Inside Assisted Living opens the window on day-to-day life in six different types of assisted living residence. From "Miss Helen at Valley Glen Home" to "Mr. Sidney at Laurel Ridge," the detailed profiles of individuals show the commonalities among the residences while highlighting the positive and negative aspects of each. The voices of those living, visiting, and working in the homes clarify! the important local (social relations, staff dynamics, leader! ship) an d national (funding, regulation, aging-in-place) challenges presented by assisted living.

Introductory and concluding chapters synthesize new findings that cross the six settings and reflect issues vital to all participants. The book also features an appendix detailing the research process involved in creating the profiles.

ASSISTED LIVING - DVD Movie
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The Farmhouse: New Inspiration for the Classic American Home

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Friday, January 6, 2012

The Closer: Complete First Season

  • An offbeat personality, a tough-as-nails approach and a track record as one of the country's leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, played by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detecti
Moving up? The LAPD is looking for a new chief and Will Pope thinks he has the inside track. He soon has an unexpected rival for the job: Brenda (Best Actress Emmy® and Golden Globe® winner Kyra Sedgwick). And Brenda has an unexpected ally helping groom her for the selection process: Capt. Raydor. The contest for chief is only one of the ingenious, suspenseful, often funny storylines that makes Season Six of The Closer stellar entertainment. Join the squad as Sanchez looks after an orphaned! boy, Tao goes undercover as a biker dude, Provenza and Flynn date airline attendants (turns out one of them has a corpse in her bathtub) and Brenda finds her family Christmas rudely interrupted by crime. Kyra Sedgwick's Brenda Johnson is one of TV's most compelling, complicated, and likable heroines. Johnson makes The Closer much more than just the well-written, crisply paced police procedural that it is. The viewer feels invested in Johnson's neurotic private life, marriage, and family, as well as in her political ambitions at the Los Angeles Police Department and in her relationships with her coworkers. In fact, The Closer hits its stride in season six as not just a fantastic showcase for Sedgwick's Emmy-winning acting talents, but also for the ensemble that helps her shine. J.K. Simmons, Corey Reynolds, Robert Gossett, G.W. Bailey, and Michael Paul Chan are among the all-too-human but motivated law-enforcement officials surrounding Johnson. Jon Tenney cont! inues to be the super-supportive best husband ever, FBI agent ! Fritz, a nd season six shows Fritz and Brenda settling into their new marriage, with just a few speed bumps. The other big theme of this season is the LAPD's search for a new police chief. Brenda's boss, Will Pope (Simmons), thinks he has the job in the bag, but suddenly there's a dark horse in the race--Deputy Chief Johnson herself. Mary McDonnell reprises her role as the officious Captain Raydor. Season six features plenty of gripping crime solving and just the right amount of humanity to keep lovers of The Closer entranced. Extras include lots of outtakes and deleted scenes, and an in-depth interview with Sedgwick on how she, and Brenda, have grown over the course of the show. --A.T. HurleyThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineer! s and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly con! struct various scenes out of their lives that pair them again ! and agai n in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. It's only until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark EnglehartSynopsis: An offbeat personality, a tough-as-nails approach and a track record as one of the country's ! leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, played by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detective, with Southern charm, who has been brought from Atlanta to Los Angeles to head up the Priority Murder Squad, a special unit of the LAPD that handles sensitive, high-profile murder cases. "The Closer" is executive produced by the team behind "Nip/Tuck."

DVD Features:
Deleted Scenes
Deleted Scenes
Deleted Scenes
Deleted Scenes

Deputy Police Chief Brenda Johnson (Kyra Sedgwick, Personal Velocity) isn't about making friends, she's about getting results. Days after her transfer from Atlanta, the LAPD's Priority Homicide Division decides they can't work with the blunt-talking Southern belle. Fortunately, she has ! former CIA colleague, Assistant Police Chief Will Pope (J.K. S! immons, Spider-Man), on her side. As he explains to Captain Taylor (Robert Gossett), who she has just replaced, "She is not miss congeniality...but she's a closer." Set to the sound of urban blues, TNT's The Closer is Columbo by way of Prime Suspect. In other words, Johnson may be as messy as Oscar Madison, but she's as sharp as Sherlock Holmes. Throughout the first season, she'll solve 13 murders, including those of a reclusive mathematician, a Russian prostitute, and a British butler. She won't get much support from her colleagues, except for Sergeant David Gabriel (Corey Reynolds, Broadway’s Hairspray)--to the consternation of his co-workers, like Detective Lieutenants Provenza (G.W. Bailey, M*A*S*H) and Flynn (Tony Denison, Melrose Place). Johnson also has a friend in FBI Special Agent Fritz Howard (Jon Tenney, You Can Count on Me). With his help, she'll eventually settle into her new environment, especially when she land! s a house and a cat on the same day (conveniently left behind by a victim). Just as it takes awhile for the chief to grow on her squad--and to get used to driving in LA--Sedgwick's Golden Globe-nominated performance follows a similar trajectory. Fortunately, "Scarlett O'Hara," as the droll Provenza dubs her, becomes more fully-rounded as the season progresses, aided by a superb SAG Award-nominated ensemble cast. Consulting producer on The Closer is former LA District Attorney Gil Garcetti of O.J. infamy. --Kathleen C. Fennessy
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