Wednesday, November 9, 2011

Disaster 4 Film Collector's Set

  • DISASTER 4-DVD SET
OVER THE COURSE OF ONE EVENING, AN UNSUSPECTING GROUP OF TWENTY-SOMETHINGS FIND THEMSELVES BOMBARDED BY A SERIES OF NATURAL DISASTERS & CATASTROPHIC EVENTS.Even within the subgenre of grab-bag comedy, Disaster Movie sets a new bar for free-associative lunacy. To what degree there is a plot, it's vaguely stolen from Cloverfield: A handful of twentysomethings try to rescue someone in a city assaulted by an incomprehensible threat--in this case, falling asteroids. But that's just a thread on which to string a long and increasingly tedious series of gestures towards recent movies (ranging from High School Musical to Enchanted to Sex and the City to Kung Fu Panda) and pop culture figures (Amy Winehouse to Flavor Flav to Dr. Phil to, of course, perpetual punching-bag Michael Jackson). No one over 30 will recognize more than a ! fraction of the movie's references, but the movie's bigger problem is that there are hardly any actual jokes--the filmmakers seem to think that simply alluding to Hancock or Jumper is funny in and of itself... and it just isn't. Disaster Movie will probably appeal to its primary audience of high-school students and repressed frat boys, for whom the mere mention of homosexuality prompts jittery laughter and who find generically pretty girls and studly boys in tight clothing titillating. It's a wasted opportunity; there are moments that, through sheer incompetence and desperation, suggest a surreal stream-of-consciousness. A filmmaker like Luis Bunuel or Federico Fellini could have turned such raw matter into a satirical aria that would genuinely critique a culture that worships Paris Hilton. Instead, we get this. Featuring, as ever, Carmen Electra.--Bret Fetzer


DISASTER MOVIE - DVD Movie
Studio: Lions Gate Home Ent. Release Date: 01/06/2009 Run time: 88 minutes Rating: Ur
CRASH LANDING
In this against-all-odds, high-octane action-thriller starring Ant! onio Sabato Jr. and Michael Paré, a private flight for a bill! ionaire' s daughter and her friends becomes a hellish ordeal when the plane is overtaken by a team of terrorists, plotting to hold the billionairess hostage.

But there is one thing the hijackers didn't count on - Major John Masters (Antonio Sabato Jr.), who is also on board. Within a matter of minutes the situation spirals out of control, resulting in a wounded pilot, several dead, and a severely damaged plane. Now, Masters must somehow land the plane on a small Pacific island despite a category five hurricane if they hope to survive - that is if Captain Williams (Michael Paré) and his team can finish the runway in time...

NATURE UNLEASHED: AVALANCHE
In the Ural Mountains of Russia, transplanted Westerners Thom and Jock Cussler take tourists on adventurous snowmobile rides up and down the slopes. When an avalanche heads for their party, their quick thinking saves them all, but a village far below is buried completely. In nearby Kirovina, t! he brothers convince townsfolk to hide in a mine to save themselves. Thom and Jock then risk their lives attempting to rescue survivors trapped under a mountainside nightclub. They must act fast - the air is running out!

NATURE UNLEASHED: EARTHQUAKE
Josh, a respected engineer, travels to Russia to inspect a nuclear power plant. Coincidentally, his ex-wife Rachel works at the facility and lives nearby with their kids. When Josh arrives at the plant, he leads a group of engineers down to the reactor's core to investigate a possible leak when disaster strikes; a catastrophic earthquake of an 8.2 magnitude rocks the Russian countryside.

At the same time, Josh and Rachel's daughter becomes trapped in a crumbled subway tunnel, while back at the plant several fires threaten to cause a meltdown - and an explosion ten times the size of Hiroshima...

So begins a race against time as Josh and Rachel fight their way into the collapsed train tunnels and n! ature reveals a final, deadly surprise...another MASSIVE QUAKE! !

NATURE UNLEASHED: FIRE
After a dirt biker is injured, Forest Ranger Jake Langford gets the assignment to lead the rider and his group safely out of the forest. But when a mysterious, angry arsonist sets off fires across the park, the group is trapped in a raging inferno...and the way out is through an old abandoned mine that's full of methane gas - which is not only poisonous, but very, very flammable...

Get ready to face nature's fiery fury in this high-octane thrill ride packed with explosive action, pulse-pounding suspense, and incredible special effects!

Jazwares Astro Boy The Movie 3 3/4 Inch Action Figure Arm Cannon Astro Boy

  • Arm Cannon Astro Boy action figure is from Astro Boy The Movie released in 2009
  • Figure is highly detailed and comes with a detachable blue light/laser that will fit into either arm cannon
  • Figure measures approx. 3.75 inches tall
  • Figure is articulated with movable arms, elbows, legs, and knees
  • Age 4+


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 94 minutes
Set in futuristic Metro City, Astro Boy is about a young robot with incredible powers created by a brilliant scientist in the image of the son he has lost. Unable to fulfill the grieving man's expectations, our hero embarks on a journey in search of acceptance, experiencing betrayal and a netherworld of robot gladiators, before he returns to save Metro City and reconcile with the father who had rejected him.Are heroes born or made? How does one go about f! inding one's true destiny? Dr. Tenma (Nicolas Cage), a revered scientist on the floating paradise known as Metro City, has recently created a technologically advanced robot in the image of his late son Toby in an effort to assuage his overwhelming grief. Far from an average robot, his creation (Freddie Highmore) is a thinking, feeling robot endowed with the memories and emotions of the real Toby and powered by a unique blue core energy recently discovered by Dr. Tenma's good friend Dr. Elefun (Bill Nighy). Despite his efforts, Dr. Tenma quickly discovers that his new creation will never replace his human son, and he coldly casts him aside. Being a thinking, feeling robot, the robot boy sets off in search of a place where he might fit in, and his journey lands him below Metro City, on the surface of the wasteland known as Earth, where he is befriended first by a trio of rebellious robots who dub him Astro Boy and later by a group of human orphans led by the robot repairman D! r. Hamegg (Nathan Lane). Although Astro Boy fully intends to c! onfess h is robotic origins to the humans, circumstances prevent the disclosure, and his first real friendships are tainted by the underlying deception. Meanwhile, back in Metro City, President Stone (Donald Sutherland) launches a campaign to destroy Astro Boy in an effort to steal the blue core energy and use it with its opposing and very unstable red core energy to guarantee his reelection. In the end, Astro Boy's real ancestry comes to light, and his relationships with the humans and his very existence are threatened. It also falls to Astro Boy to save Metro City from certain destruction at the hands of President Stone. Based on the 1950s Japanese manga and the 1960s Astro Boy Japanese animated television series commonly credited as the first anime cartoon, Astro Boy is an engaging, action-packed film about self-discovery and pursuing one's destiny. While there's a healthy amount of violence and peril in the film, it's generally appropriate for ages 7 and older. -! -Tami HoriuchiComplete episodes of the new 2003 version of the 60s television program about a robot boy who is sent to a robot circus by the man who creates him.
Genre: Children's Video
Rating: NR
Release Date: 4-APR-2006
Media Type: DVDWhen Osamu Tezuka created Tetsuwan Atom (literally Iron-arm Atom) a.k.a. Astro Boy, he set his birthdate as April 7, 2003--51 years after the initial manga and 40 years after the groundbreaking television series debuted. Sony produced this third incarnation in 2003, and a few episodes aired on American TV in 2004. A combination of drawn and computer-generated animation, the new version is far more lavish than the initial black-and-white series or the 1980 color remake. The artists strive to preserve Tezuka's drawing style, keeping Astro's outsized eyes and Dr. O'Shay's pickle nose. Spaceships and other robots float effortlessly by, but Astro's legs shoot old-fashioned rocket flairs. The newly born Astro is a complete innocent, but as ! he explo res various aspects of the world, he develops a strong sense of purpose, aiding those in need. His state-of-the-art brain includes kokoro, which can be translated as "heart," "spirit," or "will," which makes him more human. The conflict between humans and robots--which some critics have interpreted as a metaphor for racism distinguishes--escalates into a battle at the city of Robotonia in Antarctica. Astro strives to make peace between the hostile factions, although many of the conflicts were sparked by Dr. Tenma, who originally created him. Although visually appealing, this lush reinterpretation lacks the gritty charm of Tezuka's low-budget original. The only extra is a short "remaking of"; the dialogue is dubbed in English, Spanish, and Portuguese--but not Japanese. (Unrated, suitable for ages 8 and older: cartoon violence) --Charles SolomonArm Cannon Astro Boy action figure is from Astro Boy The Movie released in 2009. Figure comes with a detachable blue lig! ht/laser that will fit into either arm cannon. Figure measures approx. 3.75 inches tall. Figure is articulated with movable arms, elbows, legs, and knees. Age 4+

Closing Escrow

Glass Houses (Morganville Vampires, Book 1)

  • ISBN13: 9780451219947
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking! at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altogether different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of O! micron, which is also available for Kindle.

Reinken! is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's one slick piece of work."Megan Davis is a smalltown civil litigator who dropped out of the world for a year after her husband died in a plane crash. Now back at her job and her house and her life, she finds herself faced with an old client, Jeremy Waldoch, who tells her a female former employee has brought a case against him.

It's not Waldoch's first defense. It's not even the first defense Megan's handled for him.

There was another one before. Another former employee. Another woman. Another set of claims arising out of sex, out of relationships gone bad, and - as Megan starts to discover when she digs into the new case - out of diamonds and deceit and murder.

But she's not the only one looking at Jeremy Waldoch. Megan's agreement to take the case sets her on a course that brings her to the attention of Jackson Hanley, a federal agent with an altoget! her different interest in Megan's client.

Hanley's task is to bring down the man who runs Laurentian Mines, a violently aggressive diamond mining company - a "glass house" - in a forgotten corner of South Africa. That man is Waldoch himself, and when Hanley can't get Waldoch for what he's done in Africa, he knows he'll have to find a way to get him in the United States.

When all those worlds come together, Megan faces choices she doesn't want and options she doesn't like, ultimately finding herself in the middle of a battle between Hanley and Waldoch, truth and lies, and right and wrong - a battle that extends across continents and an ocean in a shattering series of events that may cost her everything she has.

The Kindle ebook edition of Glass House also includes the first chapter of Omicron, which is also available for Kindle.

Reinken is the author of Judgment Day, described by Publishers Weekly as "a nearly seamless medical/legal chiller that's! one slick piece of work."London 1817

On a cold Jan! uary nig ht, former cavalry officer Captain Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.London 1817

On a cold January night, former cavalry officer Captain! Gabriel Lacey is summoned to the banks of the Thames to identify a body. She is not who he fears it might be, but when Lacey looks down at the pretty, dead young woman, cut down too soon, he vows to find her murderer.

Lacey's search for the killer takes him from the seamy streets of the East End, to gatherings of the London ton in Mayfair, to the chambers of respectable Middle Temple barristers. Lacey investigates The Glass House, a sordid gaming hell that played a large part in the victim's past.

In the course of his investigation, Lacey uncovers secrets from the highborn and the low, finds himself drawn deeper into the schemes of a crime lord, and searches for a way to ease the difficulties of his own life.

Book 3 of the Captain Lacey Regency Mysteries. For fans of Kate Ross, Anne Perry, and C.S. Harris. This is a full-length novel.From the author of the popular Weather Warden series. Welcome to Morganville, Texas.

Just don't stay out aft! er dark.

College freshman Claire Danvers has had en! ough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school's social scene: somewhere less than zero.

When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don't show many signs of life. But they'll have Claire's back when the town's deepest secrets come crawling out, hungry for fresh blood.

Cradle Will Rock

  • As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Powerful and sweeping, the critically acclaimed CRADLE WILL ROCK, starring Hank Azaria, Joan Cusack, John Cusack, Bill Murray, and Susan Sarandon, takes a kaleidoscopic look at the extraordinary events of 1930s America. From high society to life on the streets, director Tim Robbins (DEAD MAN WALKING) brings Depression-era New York City to vivid life. It's a time when DaVincis are given to millionaires who help fund the Mussolini war effort and Nelson Rockefeller commissions Mexican artist Diego Rive! ra to paint the lobby of Rockefeller Center. A time when a young Orson Welles and a troupe of passionate actors risk everything to perform the infamous musical "The Cradle Will Rock." As threats to their freedom and livelihood loom larger, they refuse to give into censorship. Based on actual events, CRADLE WILL ROCK will move you."Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightnin! g strikes when the government closes the show before it even o! pens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker

Tuesday, November 8, 2011

Atonement (Full Screen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC
Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate ! bar; and upstairs, Briony's migraine-stricken mother Emily kee! ps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy dr! ives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differen! ces, they are powerfully attracted to each other, and just as ! their re lationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot ! with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).













A long history of biblical exegesis and theological reflection has shaped our understanding of the atonement today. The more prominent highlights of this history have acquired familiar names for the household of faith: Christus Victor, penal substitutionary, subjective, and governmental. Recently the penal substitutionary view, and particularly its misappropriations, has been critiqued, and a lively debate has taken hold within evangelicalism. This book offers a "panel" discussion of four views of atonement maintained by four evangelical scholars. The proponents and their views are: Gregory A. Boyd: Christus Victor view Joel B. Green: Kaleidescopic view Bruce R. Reichenbach: Healing view Thomas R. Schreiner: Penal Substitutionary view Following an introduction written by the! editors, each participant first puts forth the case for their! view. E ach view is followed by responses from the other three participants, noting points of agreement as well as disagreement. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.A small Minnesota town is stunned by the murder of their beloved mayor. Chief Archie Schultz, with the help of the his lady friend and the quirky towns folk, Archie solves the case. Murder in West Clover Bottom is a murder mystery laced with humor.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelm! a Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, they are powerfully attracted to each other, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, ! and after reading a private letter he sent to Cecilia, and the! n witnes sing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of ! what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).













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