Ghost in the Shell 2.0 [Blu-ray]
- GHOST IN THE SHELL 2.0 BLU-RAY (BLU-RAY DISC)
AN ART-HOUSE TAKE ON THE CLASSIC ZOMBIE GENRE
You wake up in the rubble and see a ragged, desperate one-armed man greeting you. He takes you underground to a safe space, feeds you, offers you a place to sleep. And then announces that heâll take the first watch. Itâs not long before the peril of the jagged landscape has located you and your newfound protector and is scratching at the door. What transpires is a moment-to-moment struggle for survivalâ"The Road meets Dawn of! the Dead. Daybreak is seen through the eyes of a silent observer as he follows his protector and runs from the shadows of the imminent zombie threat. Brian Ralph slowly builds the tension of the zombies on the periphery, letting the threatâ"rather than the actual carnageâ"be the driving force. The postapocalyptic backdrop features tangles of rocks, lumber, I beams, and overturned cars that are characters in and of themselves.
Ralphâs stunning debut was the wordless graphic novel Cave-In, created while he was one of the founding members of the influential Fort Thunder art collective. Drawing inspiration from zombies, horror movies, television, and first-person shooter video games, Daybreak departs from zombie genre in both content and format, achieving a living-dead masterwork of literary proportions.
Third in a stunning post-apocalyptic paranormal romance trilogy.
It's been twelve years since the Change, and ! Penelope Sheehan is one of the few still practicing magic for ! the good of humanity in this dark, dangerous world. But she needs the help of a shapeshifter named Tru, whom she knew when he was a troubled boy. But Tru is a creature of instinct and impulse, living only to satisfy his senses- ignoring the scarred heart nobody has ever reached. Fighting alongside the last holdouts of humanity, they will unleash a passion that tempts them to risk everything for love. But if they succeed, Tru and Pen hold the power to brighten the Dark Age for all time.
Taye Diggs (Private Practice, How Stella Got Her Groove Back) stars in an action-packed thriller from director Rob Bowman (The X-Files, Reign of Fire) and writer Paul Zbyszewski (After the Sunset).Hopper must find the delicate balance between doing what s important and what s right to get through this killer day and move on to tomorrow.Originally aired on ABC with10 million viewers for the Premier!DVD Features:
Audio Commentary
Document! ary
Other
Theatrical Trailer
Breakfast on Pluto, Patrick McCabe's lyrical and haunting new novel, became a #1 bestseller in Ireland, stayed on the bestseller list for months, and was nominated for the Booker Prize, one of the world's most prestigious literary awards. With wonderful delicacy and s! ubtle insight and intimation, McCabe creates Mr. Patrick "Puss! y" Brade n, the enduringly and endearingly hopeful hero(ine) whose gutsy survival and yearning quest for love resonate in and drive the glimmering, agonizing narrative in which the troubles are a distant and immediate echo and refrain. Twenty years ago, her ladyship escaped her hometown of Tyreelin, Ireland, fleeing her foster mother Whiskers (prodigious Guinness-guzzler, human chimney) and her mad household, to begin a new life in London. There, in blousey tops and satin miniskirts, she plies her trade, often risking life and limb amongst the flotsam and jetsam that fill the bars of Piccadilly Circus. But suave businessmen and lonely old women are not the only dangers that threaten Pussy. It is the 1970's and fear haunts the streets of London and Belfast as the critical mass of history builds up, and Pussy is inevitably drawn into a maelstrom of violence and tragedy destined to blow his fragile soul asunder. Brilliant, startling, profound and soaring, Breakfast on Pluto combi! nes light and dark, laughter and pain, with such sensitivity, directness and restraint that the dramatic impact reverberates in our minds and hearts long after the initial impression.
Patrick McCabe hit pay dirt with his third novel, The Butcher Boy, which was short-listed for the 1992 Booker Prize, filmed by Neil Jordan, and acclaimed as "a masterpiece of literary ventriloquism." In his fifth, Breakfast on Pluto, also on the Booker shortlist, McCabe produces another inimitable voice to amuse and infuriate, mimicking perfectly the overwrought, near-hysterical style of a character whose emotional processes were cruelly halted somewhere around the age of 14, and whose tale requires English literature's highest concentration of exclamation marks.Patrick "Pussy" Brady is recording her memoirs for the mysterious Dr. Terence, and it's quite some story. After randy Father Bernard gets carried away with his temporary housekeeper, a dead ringer fo! r Mitzi Gaynor, the result is Patrick Braden, abandoned on a ! doorstep in a Rinso box and condemned to a foster home with the alcoholic Hairy Braden. Escape comes in fantasies of Vic Damone and the occasional glitzy frock, and eventually, inevitably, the rebaptised "Pussy" heads for life as a transvestite rent boy on Piccadilly's Meat Rack. But this is not just Pussy's story; as hitherto-muffled paramilitary violence blows up in her face, Pussy falls apart, providing a vivid and unsettling final comment on the human price paid in 1970s Ireland. --Alan StewartWidescreen DVD
Conceived in a moment of mad passion by a randy Irish priest and his temporary housekeeper -- and abandoned on a doorstep in a Rinso box as an infant -- her ladyship "Pussy" (né Patrick) Braden grew up fabulous and escaped tiny Tyreelin, Ireland, to start life anew in London. In blousy tops and satin miniskirts she plies her trade as a transvestite rent boy on Picadilly's Meat Rack, risking life and limb among the city's flotsam and jetsam. But it is the 197! 0s, and fear haunts the streets of London and Belfast -- and as radioactive history approaches critical mass, the coming explosion of violence and tragedy may well blow Pussy's fragile soul asunder.
Breakfast on Pluto follows the exploits of Patrick "Kitten" Braden, an endearing but deceptively tough young man. Abandoned as a baby in his small Irish hometown, and aware from a very early age that he is different, Patrick survives a harsh environment with the aid of his wit and charm, plus a sweet refusal to let anyone or anything change who he is. Apart from a few moments of piano music composed by Jordan's daughter, Anna Jordan, the film avoids a conventional score.Neil (Cillian Murphy) works in a vintage video store and wishes his life could be as exciting as the movies he watches night and day. Enter Violet (Lucy Liu), a real-life femme fatale who brings enough adventure into Neil's world to make him think he has suddenly stepped into one of his favorite movies. Being ! with Violet might just turn out to be a lot of fun - if he liv! es throu gh it.| | | |
In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark! is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.
In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will ju! stice prevail?
Von Trier's passionate, provocative film ru! ns all o ur emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.
In her first and most probably last screen performance (she has foresworn acting after her bruisi! ng on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance n! umbers she conjures to banish the nightmare (Björk also wrote! the sco re). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then resent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to th! e movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer
The demand for residential communities for seniors rises as the U.S. population continues to age. This growth means that new administrators and staff members often are learning by trial and error the complicated task of delivering high-quality and consistent services to elderly persons. While many new facilities have been successful, others have been plagued by a variety of administrative and financial difficulties. Senior Living Communities remains the definitive guide to managing these faci! lities.
In this thoroughly updated and revised edition, Benjamin W. Pearce offers a wealth of sound advice and practical solutions. He discusses resident relations, operating methods, staffing ratios, department management, cost containment, sales and marketing strategies, techniques of financial analysis, budgeting, and human resources. New chapters address issues particular to dementia care and architecture, and the appendix contains a department-by-department audit of senior living operations.
From the front lines to the boardroom, this book should be a part of every decision-making process for improving and maintaining assisted living, congregate, and continuing care retirement communities.
Newly revised and updated, this acclaimed, complete guide delivers what people need to know to help an aging loved one--a must for all caregivers!Written by two distinguished psychologists for spouses, siblings, and adult children, this frank and highly ! useful guide is meticulously organized to provide answers, dis! pel myth s, anticipate needs, and provide strategies for dealing with every aspect of in-home and facility care.
With chapters on choosing the right placement setting, navigating the bureaucracy of today's eldercare system, and determining how best to pay for services, this revised edition includes new information on:
*diagnosis
*interventions
*insurance, legal, and policy matters
as well as updated checklists, phone and Internet lists, budget worksheets, and questionnaires.
"Since there are few books available on this topic that are this comprehensive and well-organized, this book should be of value to anyone interested in the topic of assisted living facilities in the U.S." Score: 98, 5 stars
--Doody's
"This book is much needed. It offers a practical approach to key issues in the management of an assisted living facility It is especially pleasing to see the long needed collaboration between nursing, social ser! vices, and education that is reflected by the training of the authors. This book is an important milestone for the field of aging and assisted living administration."
Robert Newcomer, PhD,Assisted Living Administration and Management contains all the essentials for students new to the field, as well as nuanced information for professionals looking to fine-tune their skills. This comprehensive resource provides deeper insights to address the ever-changing world of the assisted living community, containing effective best practices and model programs in elder care. The authors provide the necessary tools and tips to maximize the overall health, safety, and comfort of residents.
This landmark reference, for assisted living and senior housing administrators as well as graduate students, contains the most practical guidel! ines for operating assisted living facilities. It offers advic! e on hir ing and training staff, architecture and space management, and more. This multidisciplinary book is conveniently organized to cover the most crucial aspects of management, including organization; human resources; business and finance; environment; and resident care.
Key Features:
Assisted living is the fastest-growing alternative to skilled nursing care for frail older persons in the United States. The expectations, settings, and missions of these residences are varied, making it difficult for prospective residents and their families to anticipate what it would be like to live in them. This book is a unique portal into the real world of assisted living and the key issues facing consumers, providers, and policy makers.
Drawing on in-depth interviews with residents, their family members, staffers, and administrators, Inside Assisted Living opens the window on day-to-day life in six different types of assisted living residence. From "Miss Helen at Valley Glen Home" to "Mr. Sidney at Laurel Ridge," the detailed profiles of individuals show the commonalities among the residences while highlighting the positive and negative aspects of each. The voices of those living, visiting, and working in the homes clarify! the important local (social relations, staff dynamics, leader! ship) an d national (funding, regulation, aging-in-place) challenges presented by assisted living.
Introductory and concluding chapters synthesize new findings that cross the six settings and reflect issues vital to all participants. The book also features an appendix detailing the research process involved in creating the profiles.
ASSISTED LIVING - DVD MovieDVD Features:
Deleted Scenes
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